Submission Calls for Writers 8/6/2019

submissions

This month, I’ve compiled a list of 12 opportunities. Whether it’s a call for a magazine or a post for an editorial position, good luck!

 

Typo Magazine

Typo is currently open for submissions. Please send three to ten poems.

https://typo.submittable.com/submit

 

Fiction and NonFiction Editorial Positions at Orison Books (Volunteer Positions)

Orison Books is seeking fiction and nonfiction editors. Orison Books is a non-profit literary press focused on exceptional literature that engages the life of the spirit from a broad and inclusive range of perspectives. We are a labor of love, so the editorial positions are on a volunteer basis. If you have experience as a fiction or nonfiction author and/or editor and are interested in this opportunity, please write Luke Hankins at editor (AT) orisonbooks (DOT) com. People of color, members of the LGBTQ community, and the differently abled are encouraged to apply. www.orisonbooks.com

 

Sundress Seeking Development Director (Volunteer Position)

An extension of Sundress Publications, the Sundress Academy for the Arts (SAFTA) is an artists’ residency on a 45-acre farm in Knoxville, Tennessee, that offers residencies to writers in all genres including literary, nonfiction, journalism, and academic. With two residency rooms and a dry cabin on site, we offer a rotating space for nationally recognized and emerging artists in multiple disciplines. SAFTA also hosts weekend workshops, a reading series, and yearly retreats. This position will run for one year from your start date with a chance to be renewed the following year. The development director’s responsibilities includes working with a team of interns and other directors to research grant opportunities, draft potential grants, coordinate between SAFTA department heads, work with our budget office, and lead a team of two to four people to write, edit, and submit national, regional, and local grants. To apply, please send a resume and a brief cover letter detailing your interest in the position to Erin Elizabeth Smith at erin (AT) sundresspublications (DOT) com by August 15, 2019.

www.sundresspublications.com

 

Whitefish Review

For Issue #24, Whitefish Review seeks essays, fiction, poetry, art, photography, and songwriting about our awakenings and our teachers. We will accept submissions through August 15, 2019.

https://whitefishreview.submittable.com/submit

 

Show Us Your Papers Anthology

Send us your poems about writs and wills. About medical charts and shift logs, foreclosures and permits. About being identified, misidentified, lost. About identity theft, deportation, detention. About being documented. About not being safe even with the right documents. We are “permitted” by the right paperwork, or so we imagine. Identity theft, fraud, a bad marriage, and a host of other mishaps can complicate the link between our “identity” and our “papers.” Sometimes no amount of paperwork “permits” a life, as when a black man is shot by police before he can reach into his wallet, or Latinx immigrants are jailed or deported because new administration changes the “rules.” To be published by Main Street Rag. Submissions close August 31, 2019.

www.showusyourpapers.info and

https://showusyrpapers.submittable.com/submit/129360/show-us-your-papers-anthology

 

museum of americana

the museum of americana accepts submissions of original fiction, nonfiction, poetry, book/chapbook reviews, writer interviews, music, photography, and art. We seek work that showcases and/or repurposes historical American culture. This is, of course, an enormous and diverse tub of spare parts, and we want to see if you can turn them into a hot rod. August is an open reading month, so have a look at our guidelines, and send us your best by month’s end—and don’t forget, we’ll be reading submissions of humor, too.

https://themuseumofamericana.net/submissions/

 

Change Seven

Change Seven, an online literary journal, seeks submissions for an official relaunch in Fall 2019. The editors seek poetry, prose, artwork, photography, multimedia, and book reviews from both new and established talents. We most enjoy writing that comes from experience, is well-crafted, lyrical, distinctive, and accessible. Give us something that in some way resonates with us deeply like only the human heart in conflict with itself knows how to do. Open submission period through August 31, 2019. https://changesevenmag.com/submissions/

 

Talking Writing

We’re looking for short personal essays or first-person features that grapple with transitions of all kinds: from one stage of life to the next; across artistic genres; in work and daily life; in belief; in the natural world, cities, or neighborhoods. We’ll consider a mix of visual art and text on this theme as well, but no political diatribes, life hacks, or lyrical experiments. Feel free to query us first about the subject for your essay or feature. Word count: 500 to 1,500. Deadline: Sept 9, 2019.

https://talkingwriting.submittable.com/submit/133895/theme-essays-transitions

 

MacDowell Colony Residency

The MacDowell Colony is accepting applications for residencies between Feb 1 – May 31, 2020. The colony provides time, space, and an inspiring environment to artists of exceptional talent. A MacDowell Fellowship, or residency, consists of exclusive use of a studio, accommodations, and three prepared meals a day for up to eight weeks. There are no residency fees aside from a nonrefundable processing fee of $30 (U.S.) which is required with each application. Include a 10-page writing sample completed within the past two years, related as closely as possible to the proposed project. Upload a PDF file of a one-page Executive Summary of your C.V. Applicants who are enrolled in undergraduate or graduate degree programs as of the date of application are ineligible to apply. Doctoral candidates who have finished all coursework may apply. Artists are responsible for the cost of travel to and from the Colony. We are pleased to offer stipends to artists in all artistic disciplines so that they may take advantage of a residency at the Colony. Funding is also available to help reimburse artists for costs associated with travel, including shipping of materials. Financial aid forms are available upon acceptance and aid is awarded based on need. Deadline: Sept 15, 2019.

https://macdowell.slideroom.com/#/Login

 

Salt Hill Journal

Salt Hill is now accepting fiction, nonfiction and poetry submissions. We are interested in work that shines, work that represents a broad spectrum of experience, and work that makes us feel in new and exciting ways. Please submit no more than five poems at a time, and no more than thirty pages of prose. Send us your most honest work. We will consider all nonfiction, but are most interested in creative nonfiction, including personal essays, lyric essays, memoir, literary journalism, and other literary forms. Deadline: Sept 30, 2019.

https://salthilljournal.net/submit

 

Writers in Paradise Conference

Located on the beautiful waterfront campus of Eckerd College in St. Petersburg, Florida, this writers’ conference features professional writers at the top of their form spending quality time with motivated and talented participants seeking an intimate, unhurried climate for learning…in paradise.

2020 workshops will be led by Gregory Pardlo, Michael Koryta, Laura Lippman, Stewart O’Nan, Andre Dubus III, John Dufresne, Stephanie Elizondo Griest, Ann Hood, Les Standiford and Sterling Watson. Dozens of fellowships and scholarships are available. Apply by November 1, 2019.

https://www.writersinparadise.com/

 

The Mildred Haun Conference Call for Papers

The 11th Annual Mildred Haun Conference invites papers that consider, but are not limited to, the following broad areas of interest: Conference theme: “Of Jack Tales and Sleeping Birds: Youth, Literacy and Appalachia;” Mildred Haun’s The Hawk’s Done Gone and other stories; scholarship related to any of the following: classic and contemporary Appalachian literature, including poetry, the novel, short fiction, nonfiction and film; multiculturalism in Appalachia; personal and cultural stories associated with Appalachia; treatment of stereotypes in Appalachian literature and popular culture; creative writing and publication; art or music projects/presentation. Submit abstracts (not exceeding 350 words) along with a brief third-person bio (not exceeding 150 words) before November 1, 2019.

https://www.ws.edu/special-events/mildred-haun/papers/default.shtm

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Submission Calls for Writers 7/9/2019

 

Here are 10 submission opportunities for writers. If you’re writing and think that your work is ready to send out into the world, I truly believe these are some outlets that you should consider. Good luck!

 

Key West Literary Seminars Scholarships

KWLS is accepting applications for its teacher and librarian scholarships, emerging writer awards, and workshop financial aid program. Submit your application by July 12, 2019.

www.kwls.submittable.com/submit

 

New Limestone Review / Gurney Norman Fiction Prize

New Limestone Review, formerly Limestone, is seeking submissions for the Gurney Norman Summer Prize for Fiction, judged by Andrew Milward, which opens today and runs until July 15th!  Prizes are $500 for 1st place & $250 for 2nd place. Publication guaranteed for the top three finalists. All submissions will be considered for publications. We are also always seeking submissions in all genres for our monthly issues. New Limestone Review is published by the University of Kentucky’s MFA Program in Creative Writing, Department of English. We offer monthly online issues and one annual print publication. All accepted submissions will be for the web first and will be eligible for publication in the print issue.

http://newlimestonereview.as.uky.edu/submissions/ssions/

 

Sugar House Review

We want to publish good poetry, no matter where or who it comes from. We’re looking for an array of styles, from narrative to abstract to form. Fast-track submissions and regular submissions are open until July 31, 2019.

www.sugarhousereview.com/submit

 

Rhino Poetry

We welcome all styles of poems, and look for work which is well-crafted, reflects passion, originality, engagement with contemporary culture, and a love affair with language. We consider 3 to 5 poems in one submission. Deadline: July 31, 2019.

www.rhinopoetry.org/submit-1/

 

Virginia Quarterly Review

Submissions open through July 31, 2019. Submit poetry of all types and length, short fiction between 2,000–8,000 words, and nonfiction between 3,500–9,000 words. We are generally not interested in genre fiction (such as romance, science fiction, or fantasy). We publish literary, art, and cultural criticism; reportage; historical and political analysis; and travel essays. We publish few author interviews or memoirs. In general, we are looking for nonfiction that looks out on the world, rather than within the self. Submissions are limited to one prose piece and four poems per reading period. For poetry, we pay $200 per poem, up to 4 poems; for a suite of 5 or more poems, we usually pay $1,000. For short fiction, we generally pay $1,000 and above. For other prose, such as personal essays and literary criticism, we generally pay $1,000 and above, at approximately 25 cents per word, depending on length. https://www.vqronline.org/about-vqr/submissions

 

Gold Line Press Chapbook Competitions

This year’s chapbook judges are Bhanu Kapil (nonfiction), Diana Khoi Nguyen (poetry), and Myriam Gurba (fiction). Each winner receives $500, publication of her/his perfect-bound chapbook with ISBN, and 10 contributor copies. Gold Line Press sends out 30 copies on behalf of winners to respected literary venues for review. Manuscripts must be 20-30 pages in length for poetry entries, and 7,500-15,000 words for fiction and nonfiction entries (not including the title page and table of contents). The $20 entry fee includes a copy of the winning chapbook in your genre. Deadline: August 1, 2019.

http://dornsife.usc.edu/goldlinepress/contest/

 

The Donald L. Jordan Prize for Literary Excellence

This annual prize carries a $10,000 award for an unpublished novel, collection of short stories, memoir, or essay collection. The winner will be offered a publishing contract with a new imprint at Columbus State University, DLJ Books. Deadline: August 15, 2019.

https://jordanliteraryprize.columbusstate.edu

 

Sundress Reading Series (Knoxville, TN) Looking for Readers for Fall

The Sundress Reading Series is an award-winning literary reading series in the heart of Knoxville, TN, just miles from the Great Smoky Mountains. An extension of Sundress Publications and the Sundress Academy for the Arts, the Sundress Reading Series features nationally recognized writers in all genres from around the US while also supporting local and regional nonprofits. We are currently curating our fall reading series schedule on October 13, November 10, and December 8, 2019. Our readings take place monthly on Sundays at 1PM at Hexagon Brewing Company. To apply to read for the fall, send 6-8 pages of poetry or 8-15 pages of prose, a 100-word bio, CV, and preferred reading dates to sundresspublications@gmail.com. Please make sure the subject line reads “Reading Series Application.” Application deadline: August 15, 2019.

www.sundressacademyforthearts.com.

 

Coachella Review

The Coachella Review accepts original work that is vibrant, thoughtful, and precise. Whether your work is innovative or traditional, we strive to celebrate writing that holds readers in awe. We welcome creative nonfiction of all kinds. Submissions should not exceed 6,000 words. We invite poets to send up to five poems per submission. Include all works in a single attachment. There are no restrictions on form or length. We welcome short stories, novel excerpts, and experimental forms. Both literary and genre works are invited. Submissions should not exceed 6,000 words. Deadline: October 20, 2019.

www.thecoachellareview.com/wordpress/submissions/

 

Bat City Review

BCR is published annually. Submissions for issue 16 (Spring ’20) of Bat City Review will be accepted through November 1, 2019, with responses typically sent within two months of receiving a submission. We are interested in poetry, fiction, and creative non-fiction (personal essays, memoir, commentary) that experiments with language, form, and unconventional subject matter, as well as more traditional work. Send us writing that plays, that strikes out, that enjoys itself, that makes its own rules. http://www.batcityreview.la.utexas.edu/guidelines.php    

Submission Calls for Writers 5/7/2019

Here’s a new batch of 13 writing opportunities, just in time for the end of the semester and beginning of summer. Good luck with your writing and submitting!

Tinderbox Poetry Journal

Tinderbox Poetry Journal is open for submissions until May 15. Tinderbox has been the original home of poems appearing in Best of the Net, Best New Poets, and Bettering American Poetry anthologies. We are a paying market that offers contributors $15, regardless of how many poems are selected. We offer fee-free submissions year-round, but to offset the costs of running our journal (and to continue offering no mandatory fees), we recommend Tip Jar ($3) and Requesting Feedback options ($5) for folks with the means to make a donation. Please send no more than four poems (six pages). We aim to respond within three months or sooner.

https://tinderboxpoetryjournal.submittable.com/submit

Inch

Inch is now a quarterly journal focused on the miracles of compression. Each “issue” is a micro-chapbook featuring the work of a single author. We are currently reading submissions through May 15, 2019. Inch loves to see collections of short-short fiction. Submit your collection of a minimum of three stories. Similarly, submit your collection of a minimum of three essays. Though we no longer have a line limit for poetry, we’re still looking for poems that celebrate compression. Submit your collection with no more than one poem per single-spaced page. Collections should be between 8-14 pages in length. Include a title page with your contact information, a table of contents, an acknowledgements page (if needed), and an “about the author” page, none of which will count toward those 8-14 pages.  Up to 75% of the pieces in your collection may be previously published, but we do require that at least 25% of the pieces in the collection be unpublished at the time of acceptance.

http://www.bullcitypress.com/submissions-top/submissions

Nashville Review

Nashville Review will accept submissions during the month of May. We welcome flash fiction, short stories, and novel excerpts of up to 8,000 words. We welcome creative nonfiction up to 8,000 words. We’re open to anything: memoir excerpts, essays, imaginative meditations. Send us up to 3 poems per reading period.

https://as.vanderbilt.edu/nashvillereview/contact/submit

Oversound Chapbook Prize

Mary Jo Bang will judge this year’s Oversound Chapbook Prize. The winner will receive $1000 and 25 copies. There is an $18 fee to enter. All entrants will receive a subscription to Oversound. Send your submission by May 31, 2019. Manuscripts must be between 15 and 30 pages. For a manuscript outside this range, please contact us prior to sending.

http://www.oversoundpoetry.com/chapbook

Heartwood 2019 Broadside Series Contest

A writing practice requires us to slow down, reflect, attend. HeartWood Literary Magazine & West Virginia Wesleyan’s MFA Program seek to honor this practice with an annual broadside series and contest. Partnering with West Virginia letterpress company Base Camp Printing, we print the winning entry (poetry or flash prose) on a limited-edition letterpress broadside featuring an original image inspired by the text. The annual broadside serves as artifact companion to the fall issue of the digital magazine. Both the handmade and the electronic HeartWood venues aim to showcase work that gets to the heart of the matter. Savannah Sipple will judge this year’s contest. Submit by June 1, 2019.

http://www.heartwoodlitmag.com/contest

Contrary

We believe poetry is contrary by nature and we look especially for plurality of meaning, for dual reverberation of beauty and concern. Contrary’s poetry in particular often mimics the effects of fiction or commentary. We ask our fiction writers to imagine their readers navigating a story with one finger poised over a mouse button. We have published long stories on the belief that they succeed, but we feel more comfortable with the concise. We favor fiction that is contrary in any number of ways, but our fiction typically defies traditional story form. “Commentary” is our word for the stuff that others define negatively as non-fiction, nominally as essay, or naively as truth. We favor commentary that delivers a message less through exposition than through artistry. The commentary we select is often lyrical, narrative, or poetic. Deadline: June 1, 2019.

http://www.contrarymagazine.com/submissions

The Puritan

Submissions received through June 25, 2019, are considered for the summer issue, published in late early Aug. With fiction, feel encouraged to push boundaries. We have diverse tastes; try us out. Length is up to you, but a story over 10,000 words will only be considered if it is of exceptional quality (and nothing over 12,000 words, please). Only send one story at a time, unless you are writing flash fiction (or stories under 500 words), in which case you can send up to three. We’re also looking for poems of any length (including sequences and long poems). You may also send up to four poems at a time. We are no longer accepting essays through our regular submission process, but we encourage interested writers to pitch us at essays@puritan-magazine.com. Pitches should be no more than 500 words, and contain a clear, succinct description of the proposed piece and a rationale for why it would be a good fit for The Puritan.

http://www.puritan-magazine.com/submissions

Drue Heinz Literature Prize

The award is open to writers who have published a novel or a book-length collection of fiction with a reputable book publisher, or a minimum of three short stories or novellas in magazines or journals of national distribution. The award is open to writers in English, whether or not they are citizens of the United States. Eligible submissions include an unpublished manuscript of short stories; two or more novellas (a novella may comprise a maximum of 130 double-spaced typed pages); or a combination of one or more novellas and short stories. Novellas are only accepted as part of a larger collection. The prize carries a cash award of $15,000 and publication by the University of Pittsburgh Press under its standard contract. Deadline: June 30, 2019.

https://www.upress.pitt.edu/drue-heinz-literature-prize-submission-guidelines/

Threepenny Review

As a rule, critical articles should be about 1200 to 2500 words, Table Talk items 1000 words or less, stories and memoirs 4000 words or less, and poetry 100 lines or less. (Exceptions are occasionally possible, but longer pieces will have a much harder time getting accepted.) We prefer to read prose submissions that are double-spaced; poetry can be single-spaced or double-spaced. At present The Threepenny Review is paying $400 per story or article, $200 per poem or Table Talk piece. Deadline: June 30, 2019.

http://www.threepennyreview.com/submissions.html

Bellevue Literary Review

The BLR seeks high-caliber, unpublished work, broadly and creatively related to our themes of health, healing, illness, the mind, and the body. We seek character-driven fiction with original voices and strong settings. We do not publish genre fiction (romance, sci-fi, horror). Our word max is 5,000, though most of our published stories tend to be in the range of 2,000-4,000 words. We are looking for essays that reach beyond the standard ‘illness narrative’ to develop a topic in an engaging and original manner. Incorporate anecdotes that feel alive, and dazzle us with thoughtful and creative analysis that allows these anecdotes to serve a larger purpose. Please, no academic discourses or works with footnotes. Maximum 5,000 words. Poetry submissions should have no more than 3 poems. Please include all poems in one document. Deadline: June 30, 2019.

https://blr.med.nyu.edu/submissions

The Orison Chapbook Prize

Announcing the inaugural Orison Chapbook Prize! Orison Books announces The 2019 Orison Chapbook Prize, judged by founder and editor Luke Hankins. Submissions are open to all genres (poetry, fiction, nonfiction, hybrid). The winner receives $300 & publication by Orison Books. Manuscript length should be between 20 and 45 pages. Entry fee: $12. Deadline: July 1, 2019.

www.orisonbooks.submittable.com

The Writer’s Block Prize in FICTION

The Writer’s Block Prize in Fiction will accept submissions through August 1, 2019. Award-winning novelist Garth Greenwell will judge. Winner will receive $500 and publication in The Louisville Review, the literary magazine of Spalding University’s nationally distinguished low residency MFA in Writing program. Winner also will be invited to read the winning story at the 2019 Writer’s Block Festival in Louisville, KY. Submit up to 3 stories, 4,000 words maximum. There is a $12 submission fee.

https://www.louisvilleliteraryarts.org/writersblockprize

apt (special issue on climate change)

For apt’s (howapt.com) tenth print issue, we are seeking to publish fiction, nonfiction, poetry, drama, and comics that address climate change, the defining challenge of our lifetime. It is, of course, not the only major, systemic issue we face and, for many, it is not the most important in day-to-day lives marked by injustice and inequality in a system that privileges the few. But it is an issue that touches nearly everyone and that permeates our systems, exacerbates inequality, and sharpens injustice. We encourage all types of work, but please proceed with these facts in mind: climate change is real, it’s caused by humans, there’s still time to fight it. On that note, we’re excited to read your words and hear your ideas on the topic. Keeping in line with our usual wish list, the following issues aren’t meant to be exhaustive, but to provide potential areas we’d love to see addressed: Environmental, economic, and intergenerational justice; Community-based responses to climate change; Physical and mental health impacts of climate change; Biodiversity, species, and ecosystem conservation; Environmental policy and programs; Intersectional views (e.g. indigenous communities, re: contested lands and their stewardship; the vulnerability and strength of racialized and classed neighborhoods; the challenges faced by disabled people and those with mobility constraints). As always, we seek longer work for our print issues in order to publish and promote narratives that engage deeply with a subject and take time to explore it fully. For this issue, we will also read shorter work (5,000 words minimum for prose, 1,000 words/100 lines/7 pages minimum for poetry) that falls within our theme. If you have work that comes close to these constraints but doesn’t quite meet them, submit it and we’ll figure out the rest. Payment: authors included in the issue will receive a $50 payment and a copy of the issue. Deadline: Aug 31, 2019.

https://apt.submittable.com/submit