Submission Calls for Writers 7/9/2019

 

Here are 10 submission opportunities for writers. If you’re writing and think that your work is ready to send out into the world, I truly believe these are some outlets that you should consider. Good luck!

 

Key West Literary Seminars Scholarships

KWLS is accepting applications for its teacher and librarian scholarships, emerging writer awards, and workshop financial aid program. Submit your application by July 12, 2019.

www.kwls.submittable.com/submit

 

New Limestone Review / Gurney Norman Fiction Prize

New Limestone Review, formerly Limestone, is seeking submissions for the Gurney Norman Summer Prize for Fiction, judged by Andrew Milward, which opens today and runs until July 15th!  Prizes are $500 for 1st place & $250 for 2nd place. Publication guaranteed for the top three finalists. All submissions will be considered for publications. We are also always seeking submissions in all genres for our monthly issues. New Limestone Review is published by the University of Kentucky’s MFA Program in Creative Writing, Department of English. We offer monthly online issues and one annual print publication. All accepted submissions will be for the web first and will be eligible for publication in the print issue.

http://newlimestonereview.as.uky.edu/submissions/ssions/

 

Sugar House Review

We want to publish good poetry, no matter where or who it comes from. We’re looking for an array of styles, from narrative to abstract to form. Fast-track submissions and regular submissions are open until July 31, 2019.

www.sugarhousereview.com/submit

 

Rhino Poetry

We welcome all styles of poems, and look for work which is well-crafted, reflects passion, originality, engagement with contemporary culture, and a love affair with language. We consider 3 to 5 poems in one submission. Deadline: July 31, 2019.

www.rhinopoetry.org/submit-1/

 

Virginia Quarterly Review

Submissions open through July 31, 2019. Submit poetry of all types and length, short fiction between 2,000–8,000 words, and nonfiction between 3,500–9,000 words. We are generally not interested in genre fiction (such as romance, science fiction, or fantasy). We publish literary, art, and cultural criticism; reportage; historical and political analysis; and travel essays. We publish few author interviews or memoirs. In general, we are looking for nonfiction that looks out on the world, rather than within the self. Submissions are limited to one prose piece and four poems per reading period. For poetry, we pay $200 per poem, up to 4 poems; for a suite of 5 or more poems, we usually pay $1,000. For short fiction, we generally pay $1,000 and above. For other prose, such as personal essays and literary criticism, we generally pay $1,000 and above, at approximately 25 cents per word, depending on length. https://www.vqronline.org/about-vqr/submissions

 

Gold Line Press Chapbook Competitions

This year’s chapbook judges are Bhanu Kapil (nonfiction), Diana Khoi Nguyen (poetry), and Myriam Gurba (fiction). Each winner receives $500, publication of her/his perfect-bound chapbook with ISBN, and 10 contributor copies. Gold Line Press sends out 30 copies on behalf of winners to respected literary venues for review. Manuscripts must be 20-30 pages in length for poetry entries, and 7,500-15,000 words for fiction and nonfiction entries (not including the title page and table of contents). The $20 entry fee includes a copy of the winning chapbook in your genre. Deadline: August 1, 2019.

http://dornsife.usc.edu/goldlinepress/contest/

 

The Donald L. Jordan Prize for Literary Excellence

This annual prize carries a $10,000 award for an unpublished novel, collection of short stories, memoir, or essay collection. The winner will be offered a publishing contract with a new imprint at Columbus State University, DLJ Books. Deadline: August 15, 2019.

https://jordanliteraryprize.columbusstate.edu

 

Sundress Reading Series (Knoxville, TN) Looking for Readers for Fall

The Sundress Reading Series is an award-winning literary reading series in the heart of Knoxville, TN, just miles from the Great Smoky Mountains. An extension of Sundress Publications and the Sundress Academy for the Arts, the Sundress Reading Series features nationally recognized writers in all genres from around the US while also supporting local and regional nonprofits. We are currently curating our fall reading series schedule on October 13, November 10, and December 8, 2019. Our readings take place monthly on Sundays at 1PM at Hexagon Brewing Company. To apply to read for the fall, send 6-8 pages of poetry or 8-15 pages of prose, a 100-word bio, CV, and preferred reading dates to sundresspublications@gmail.com. Please make sure the subject line reads “Reading Series Application.” Application deadline: August 15, 2019.

www.sundressacademyforthearts.com.

 

Coachella Review

The Coachella Review accepts original work that is vibrant, thoughtful, and precise. Whether your work is innovative or traditional, we strive to celebrate writing that holds readers in awe. We welcome creative nonfiction of all kinds. Submissions should not exceed 6,000 words. We invite poets to send up to five poems per submission. Include all works in a single attachment. There are no restrictions on form or length. We welcome short stories, novel excerpts, and experimental forms. Both literary and genre works are invited. Submissions should not exceed 6,000 words. Deadline: October 20, 2019.

www.thecoachellareview.com/wordpress/submissions/

 

Bat City Review

BCR is published annually. Submissions for issue 16 (Spring ’20) of Bat City Review will be accepted through November 1, 2019, with responses typically sent within two months of receiving a submission. We are interested in poetry, fiction, and creative non-fiction (personal essays, memoir, commentary) that experiments with language, form, and unconventional subject matter, as well as more traditional work. Send us writing that plays, that strikes out, that enjoys itself, that makes its own rules. http://www.batcityreview.la.utexas.edu/guidelines.php    

Advertisements

Submission Calls for Writers 6/4/2019

For as long as I’ve been writing and submitting work, there’s always been the idea that summer is a dead period, and there’s no use in sending out work. It seems like that couldn’t be less true. Here are a dozen calls and opportunities for writers, and I hope you’ll take advantage of them and get your words out there. Good luck!

Assistant Director for Baltic Writing Residency

The Baltic Writing Residency, an international residency program for writers, with locations in the UK, Sweden, and the U.S, seeks an Assistant Director. In consultation with the Director, the Assistant Director will help oversee operations including the planning of readings, securing of lodgings, updating social media posts, sending out announcements, responding to general emails, communications with readers/screeners, as well as with judges, and universities, as well as offering input on applications, website, and general workings of BWR (we welcome innovation and change!).  The position is volunteer, and the number of hours per week worked by the Assistant Director depends on the residency application cycle. The hours are not enormous, but the work substantive and important. In turn, the Assistant Director will have immense control over when they work, and will work entirely from where they reside, by accessing the BWR email and online submission manager, etc.  In turn, the readers/screeners will receive comprehensive exposure to the workings and business of writing residencies in a friendly, congenial atmosphere, leaving with job experience, a deepened literary education, and an excellent reference for his or her resume.  Qualifications: Applicants for this position should have experience working with a literary organization (residency, literary journal, writing program, etc.). Any graphic design experience is highly appreciated, but not necessary. If interested please email: balticresidency (at) gmail (dot) com.

http://balticresidency.com/

Cobalt Review/Cobalt Press Fiction Editor

Cobalt Review/Cobalt Press is seeking a new fiction editor to help us reimagine how we publish our literary journal this summer. The position is unpaid/volunteer, but will have full autonomy over content selected and published. A new website and a new publishing schedule are in development, and the fiction editor would determine their own time commitment. If you are interested in joining this scrappy team of misfits, shoot an email to Publisher/Chief Baseball Officer Andrew Keating: ak (at) cobaltreview (dot) com.

Creative Nonfiction Seeks Submissions on “Power”

Deadline: June 10, 2019. Creative Nonfiction is looking for new work about power. For this issue, we are seeking true stories that explore the dynamics within groups and systems, however big or small—for example, family units, schools, sports, churches, and government. Share your stories about power lunches, power grabs, power suits, powerlifting, people power (and/or power to the people), or willpower. Above all, we are seeking vivid narratives, sourced from true events, that demonstrate strong storytelling, voice, and grasp of detail. Essays must be previously unpublished and no longer than 4,000 words.

www.creativenonfiction.org/submissions/power

Prairie Ronde Invites Applications for Artists Residencies

The Prairie Ronde Residency is looking for individuals who are highly independent, engaged and curious. We do not limit our residency to any specific medium but, rather, are looking for people who can creatively interact with the space we have to offer and the community of historic Vicksburg, Michigan. Through the program, visual artists, writers, and musicians will receive a $2,000 stipend, a $500 travel grant, and the private use of a car for a residency of between four and seven weeks. Residencies will occur October 1, 2019, through December 15, 2019. Application deadline: June 15, 2019.

prairierondeartistresidency.com

Orison Books Anthology about Eve

Orison Books invites submissions of poems on the subject of the Biblical character Eve for a forthcoming anthology, to be edited by Luke Hankins and Nomi Stone. Send up to 4 poems in Word or RTF format for consideration to editor (at) orisonbooks (dot) com, along with a biographical note of 50 words or less. Use “Eve Anthology” as the subject line. Poems may be new or previously published; if previously published, please include information about where they originally appeared. Contributors will receive a complimentary copy of the anthology and a discount on any additional copies. Deadline: July 1, 2019.

http://orisonbooks.com/submission-guidelines

The Familiar Wild: On Dogs and Poetry

Sundress Publications announces an open submission call for The Familiar Wild: On Dogs and Poetry, an anthology that centers the storied, yet perpetually mystifying connection that dogs and humans share with a new focus: the historical and contemporary relationships between poets and dogs. Reaching beyond a generic celebration of the “dog-owner bond,” The Familiar Wild: On Dogs and Poetry will also interrogate and focus it: why (and how) do dogs appear in poets’ poems, and what does it mean to have a dog beside a poet at their writing desk? Why might poets in particular be drawn to dog companionship? This collection will examine both the routine and the unexpected lives we’ve built with our dogs, exploring wildness and domestication, boundaries and freedom, rescue, and grief through poetry centered on the complicated, expansive dog-poet connection. This call takes particular interest in voices and histories not usually centered in this conversation, particularly those that consider the role of the dog-poet bond in relation to disability, queerness, race, gender, age, and more. Interested poets should submit a cover letter, 3-5 poems, and an optional short (max.. 500 words) essay that considers their personal relationship to the anthology’s subject matter. We intend to include these essays alongside chosen poems for each author. Please feel free to interpret the themes of the anthology widely: however best fits you, your work, and your relationship to dogs. We want to be surprised! That said, poems must engage with dogs or dog companionship/ownership in some way (we’re not looking for poems not about dogs). The deadline for submissions is July 1, 2019. To submit, attach your manuscript as a single DOCX or PDF file to thefamiliarwild (AT) gmail (DOT) com. If the poems have been previously published elsewhere and/or simultaneously submitted, please indicate this in your cover letter. We will happily consider previously published poems so long as the poet retains the rights to reprint them. The poets Ruth Awad and Rachel Mennies will serve as co-editors for this anthology.

Charlotte Mew Contest

Headmistress Press announces our 5th annual Charlotte Mew Chapbook Contest. Winner receives $300 plus 20 copies of the winning book. All entries will be considered for publication. Contest closes on July 4, 2019. There is a sliding scale reading fee, with fee waived upon request. Our judge for this year is Robin Becker.

https://headmistresspress.submittable.com/submit

Sand

We are open to submissions through July 6, 2019. We are looking for writing and art that catches us by surprise. We accept previously unpublished short stories, poetry, flash fiction, creative nonfiction, and many forms of visual art. We’re particularly interested in work by women, people from the LGBTQ+ community, people of color, and people from marginalized locations. Aside from submissions for our print journal, we are always looking for guest website posts that relate to literature, art, and Berlin.

sandjournal.com/submit-your-work

Poetry South

Poetry South is reading for issue 11. Send 1-4 poems by July 15, 2019. Published by the low-residency MFA program at Mississippi University for Women, Poetry South is an international journal, open to a diverse range of poets from all backgrounds, nationalities, and styles. Back issues are available to read on our website. There is no fee to submit; payment in copies.

https://www.poetrysouth.com/submit

The Tishman Review

Please send at least three (3) poems and up to four (4) poems, with each new poem beginning on a fresh page. We prefer the concrete over the abstract. We are open to the possibilities an author may present and are not expecting a particular kind of story. With that in mind, please submit your very best work, the work you are most proud of, the work that best represents your voice in the world. Micro-fiction: up to 300 words. You may include up to 3 pieces of micro-fiction in one submission. Flash fiction: up to 1,000 words. Short Story: up to 6,000 words. We are also looking for personal essays, memoir, lyric essays and literary journalism up to 5,000 words. Submit by July 15, 2019.

thetishmanreview.com/2019/01/submit

The Collagist

The Collagist will consider short fictions of up to 8000 words, though much of the work we publish is considerably shorter. Our tastes are idiosyncratic, but a look at work we’ve published recently may help. If sending very short fiction (less than 1000 words), you may submit up to three such very short fictions as a single file. We’ll also consider submissions of up to 6 poems and no more than 8 pages. We enjoy reading a broad range of styles, from formal to free to experimental, and are looking to publish work that feels urgent and finely tuned. Essays and nonfiction of up to 8000 words are also accepted. Simultaneous submissions are fine; multiple submissions are not. Submit by July 31, 2019.

https://thecollagist.submittable.com/submit

Gay Magazine

Gay is a new publication partnership between Roxane Gay and Medium. Laura June Topolsky is the Deputy Editor and Kaitlyn Adams serves as Managing Editor. We will be publishing work weekly, covering a wide variety of topics. We will also assemble ambitious, compelling quarterly themed issues. We are now accepting submissions, on a rolling basis, and look forward to hearing from new and established writers who possess original voices. The PITCH DEADLINE for the second quarterly issue: August 17th: Pain. What hurts you? How do you deal with hurt and suffering? How have you hurt others or yourself? How do you negotiate the suffering of others?

https://gay.submittable.com/submit

Submission Calls for Writers 5/7/2019

Here’s a new batch of 13 writing opportunities, just in time for the end of the semester and beginning of summer. Good luck with your writing and submitting!

Tinderbox Poetry Journal

Tinderbox Poetry Journal is open for submissions until May 15. Tinderbox has been the original home of poems appearing in Best of the Net, Best New Poets, and Bettering American Poetry anthologies. We are a paying market that offers contributors $15, regardless of how many poems are selected. We offer fee-free submissions year-round, but to offset the costs of running our journal (and to continue offering no mandatory fees), we recommend Tip Jar ($3) and Requesting Feedback options ($5) for folks with the means to make a donation. Please send no more than four poems (six pages). We aim to respond within three months or sooner.

https://tinderboxpoetryjournal.submittable.com/submit

Inch

Inch is now a quarterly journal focused on the miracles of compression. Each “issue” is a micro-chapbook featuring the work of a single author. We are currently reading submissions through May 15, 2019. Inch loves to see collections of short-short fiction. Submit your collection of a minimum of three stories. Similarly, submit your collection of a minimum of three essays. Though we no longer have a line limit for poetry, we’re still looking for poems that celebrate compression. Submit your collection with no more than one poem per single-spaced page. Collections should be between 8-14 pages in length. Include a title page with your contact information, a table of contents, an acknowledgements page (if needed), and an “about the author” page, none of which will count toward those 8-14 pages.  Up to 75% of the pieces in your collection may be previously published, but we do require that at least 25% of the pieces in the collection be unpublished at the time of acceptance.

http://www.bullcitypress.com/submissions-top/submissions

Nashville Review

Nashville Review will accept submissions during the month of May. We welcome flash fiction, short stories, and novel excerpts of up to 8,000 words. We welcome creative nonfiction up to 8,000 words. We’re open to anything: memoir excerpts, essays, imaginative meditations. Send us up to 3 poems per reading period.

https://as.vanderbilt.edu/nashvillereview/contact/submit

Oversound Chapbook Prize

Mary Jo Bang will judge this year’s Oversound Chapbook Prize. The winner will receive $1000 and 25 copies. There is an $18 fee to enter. All entrants will receive a subscription to Oversound. Send your submission by May 31, 2019. Manuscripts must be between 15 and 30 pages. For a manuscript outside this range, please contact us prior to sending.

http://www.oversoundpoetry.com/chapbook

Heartwood 2019 Broadside Series Contest

A writing practice requires us to slow down, reflect, attend. HeartWood Literary Magazine & West Virginia Wesleyan’s MFA Program seek to honor this practice with an annual broadside series and contest. Partnering with West Virginia letterpress company Base Camp Printing, we print the winning entry (poetry or flash prose) on a limited-edition letterpress broadside featuring an original image inspired by the text. The annual broadside serves as artifact companion to the fall issue of the digital magazine. Both the handmade and the electronic HeartWood venues aim to showcase work that gets to the heart of the matter. Savannah Sipple will judge this year’s contest. Submit by June 1, 2019.

http://www.heartwoodlitmag.com/contest

Contrary

We believe poetry is contrary by nature and we look especially for plurality of meaning, for dual reverberation of beauty and concern. Contrary’s poetry in particular often mimics the effects of fiction or commentary. We ask our fiction writers to imagine their readers navigating a story with one finger poised over a mouse button. We have published long stories on the belief that they succeed, but we feel more comfortable with the concise. We favor fiction that is contrary in any number of ways, but our fiction typically defies traditional story form. “Commentary” is our word for the stuff that others define negatively as non-fiction, nominally as essay, or naively as truth. We favor commentary that delivers a message less through exposition than through artistry. The commentary we select is often lyrical, narrative, or poetic. Deadline: June 1, 2019.

http://www.contrarymagazine.com/submissions

The Puritan

Submissions received through June 25, 2019, are considered for the summer issue, published in late early Aug. With fiction, feel encouraged to push boundaries. We have diverse tastes; try us out. Length is up to you, but a story over 10,000 words will only be considered if it is of exceptional quality (and nothing over 12,000 words, please). Only send one story at a time, unless you are writing flash fiction (or stories under 500 words), in which case you can send up to three. We’re also looking for poems of any length (including sequences and long poems). You may also send up to four poems at a time. We are no longer accepting essays through our regular submission process, but we encourage interested writers to pitch us at essays@puritan-magazine.com. Pitches should be no more than 500 words, and contain a clear, succinct description of the proposed piece and a rationale for why it would be a good fit for The Puritan.

http://www.puritan-magazine.com/submissions

Drue Heinz Literature Prize

The award is open to writers who have published a novel or a book-length collection of fiction with a reputable book publisher, or a minimum of three short stories or novellas in magazines or journals of national distribution. The award is open to writers in English, whether or not they are citizens of the United States. Eligible submissions include an unpublished manuscript of short stories; two or more novellas (a novella may comprise a maximum of 130 double-spaced typed pages); or a combination of one or more novellas and short stories. Novellas are only accepted as part of a larger collection. The prize carries a cash award of $15,000 and publication by the University of Pittsburgh Press under its standard contract. Deadline: June 30, 2019.

https://www.upress.pitt.edu/drue-heinz-literature-prize-submission-guidelines/

Threepenny Review

As a rule, critical articles should be about 1200 to 2500 words, Table Talk items 1000 words or less, stories and memoirs 4000 words or less, and poetry 100 lines or less. (Exceptions are occasionally possible, but longer pieces will have a much harder time getting accepted.) We prefer to read prose submissions that are double-spaced; poetry can be single-spaced or double-spaced. At present The Threepenny Review is paying $400 per story or article, $200 per poem or Table Talk piece. Deadline: June 30, 2019.

http://www.threepennyreview.com/submissions.html

Bellevue Literary Review

The BLR seeks high-caliber, unpublished work, broadly and creatively related to our themes of health, healing, illness, the mind, and the body. We seek character-driven fiction with original voices and strong settings. We do not publish genre fiction (romance, sci-fi, horror). Our word max is 5,000, though most of our published stories tend to be in the range of 2,000-4,000 words. We are looking for essays that reach beyond the standard ‘illness narrative’ to develop a topic in an engaging and original manner. Incorporate anecdotes that feel alive, and dazzle us with thoughtful and creative analysis that allows these anecdotes to serve a larger purpose. Please, no academic discourses or works with footnotes. Maximum 5,000 words. Poetry submissions should have no more than 3 poems. Please include all poems in one document. Deadline: June 30, 2019.

https://blr.med.nyu.edu/submissions

The Orison Chapbook Prize

Announcing the inaugural Orison Chapbook Prize! Orison Books announces The 2019 Orison Chapbook Prize, judged by founder and editor Luke Hankins. Submissions are open to all genres (poetry, fiction, nonfiction, hybrid). The winner receives $300 & publication by Orison Books. Manuscript length should be between 20 and 45 pages. Entry fee: $12. Deadline: July 1, 2019.

www.orisonbooks.submittable.com

The Writer’s Block Prize in FICTION

The Writer’s Block Prize in Fiction will accept submissions through August 1, 2019. Award-winning novelist Garth Greenwell will judge. Winner will receive $500 and publication in The Louisville Review, the literary magazine of Spalding University’s nationally distinguished low residency MFA in Writing program. Winner also will be invited to read the winning story at the 2019 Writer’s Block Festival in Louisville, KY. Submit up to 3 stories, 4,000 words maximum. There is a $12 submission fee.

https://www.louisvilleliteraryarts.org/writersblockprize

apt (special issue on climate change)

For apt’s (howapt.com) tenth print issue, we are seeking to publish fiction, nonfiction, poetry, drama, and comics that address climate change, the defining challenge of our lifetime. It is, of course, not the only major, systemic issue we face and, for many, it is not the most important in day-to-day lives marked by injustice and inequality in a system that privileges the few. But it is an issue that touches nearly everyone and that permeates our systems, exacerbates inequality, and sharpens injustice. We encourage all types of work, but please proceed with these facts in mind: climate change is real, it’s caused by humans, there’s still time to fight it. On that note, we’re excited to read your words and hear your ideas on the topic. Keeping in line with our usual wish list, the following issues aren’t meant to be exhaustive, but to provide potential areas we’d love to see addressed: Environmental, economic, and intergenerational justice; Community-based responses to climate change; Physical and mental health impacts of climate change; Biodiversity, species, and ecosystem conservation; Environmental policy and programs; Intersectional views (e.g. indigenous communities, re: contested lands and their stewardship; the vulnerability and strength of racialized and classed neighborhoods; the challenges faced by disabled people and those with mobility constraints). As always, we seek longer work for our print issues in order to publish and promote narratives that engage deeply with a subject and take time to explore it fully. For this issue, we will also read shorter work (5,000 words minimum for prose, 1,000 words/100 lines/7 pages minimum for poetry) that falls within our theme. If you have work that comes close to these constraints but doesn’t quite meet them, submit it and we’ll figure out the rest. Payment: authors included in the issue will receive a $50 payment and a copy of the issue. Deadline: Aug 31, 2019.

https://apt.submittable.com/submit

Submission Calls for Writers 4/4/2019

Here are a dozen opportunities for writers ready to submit their work. Good luck sending your words out.

YourDailyPoem.com

We look for short poems that are well-constructed, with compelling use of language and imagery, and subject matter that is appealing to a broad range of ages and interests. We like to be amused, we do not like to be offended, and we are not impressed by obscurity. Send us at least three but no more than six poems.

http://www.yourdailypoem.com/page/guidelines

Cimarron Review

Cimarron Review accepts submissions year-round in poetry, fiction, nonfiction, and art. Please include a cover letter with your submission. Send 3-6 poems or one piece of fiction or nonfiction.

cimarronreview.com/submit/

Mid-American Review

MAR does accept and read submissions year round. We accept fiction, poetry, translations, and nonfiction (including personal essays, essays on writing, and short reviews)—There is NO reading fee for a regular submission. MAR considers non-fiction pieces up to 6,000 words; only one fictional story per submission, or up to 5 shorts; or up to 6 poems.

https://casit.bgsu.edu/midamericanreview/submit/

A Public Space

A Public Space welcomes submissions to the magazine until April 15, 2019. Please submit only one (​1) story or essay at a time; or up to five (5) poems.

https://apublicspacedemo.submittable.com/submit

The Manhattanville Review

The Manhattanville Review is an online journal of literature published by the MFA in Creative Writing at Manhattanville College; accepting prose, poetry and visual art. Our archives showcase a collection of diverse voices and visions by creative minds from all walks of life. From mishaps & misfits to masterpieces, The Manhattanville Review seeks polished creative works with unique ideas, perspectives, and experimental elements. We are interested in pieces that take creative risks and contain strong writing skills. Please submit one to five poems; Fiction and Creative Non-Fiction ranging from five to ten pages. Deadline: April 26, 2019.

http://www.themvillereview.com/

Jacar Press Full-Length and Chapbook Contests

Deadline – April 30, 2019. Fee: $10 for chapbook, $15 for Full-length. We will select up to two winners in each category selected by internationally esteemed writers.  Past judges include Marilyn Nelson, Dorianne Laux, Helene Cardona, Rickey Laurentiis, Denise Duhamel, Jamaal May, etc.  Jacar Press is a Community Active Press. We support a wide range of groups and individuals making a positive impact on their communities.

http://jacarpress.com/submissions/#contests

Foglifter

Foglifter is a biannual compendium of the most dynamic, urgent queer writing today. It’s a space where queer writers celebrate, mourn, rage, and embrace. We accept the following unpublished unsolicited submissions: up to 5 poems; up to 7500 words of prose; up to 20 pages of cross-genre work, text-image hybrids, and drama. The submission periods ends May 1, 2019, for the Fall Edition.

https://foglifterjournal.com/

Fugue

Fugue, a literary magazine produced by graduate students in the Department of English at the University of Idaho, is accepting submissions for its new genre-fluid, lyric hybrid section, images, etc. This work includes, but is not limited to, photo-poem mashups, collages, erasures, graphic novel excerpts, and other image-based work concerned with lyric hybridity that tells a story, asks a question, complicates a boundary, or tests a hypothesis in a way that uses the language of shape and color as well as (or in place of) text. We are seeking pieces that surprise us, forging new connections and blurring old ones. Please initially submit your work as a .jpg or .png file if possible. We prefer 300 dpi and 1920 x 1080 pixels, but if we select your piece(s) for publication, we can talk more about image quality then. We thank you and look forward to viewing/reading your work. The submission period for the Fall 2019 issue closes on May 1, 2019.

https://fugue.submittable.com/submit

The 2019 Frontier Digital Chapbook Contest

Deadline: May 15, 2019. The winner of the prize will receive $2000 and publication of the free, downloadable chapbook on Frontier Poetry. Most exciting of all: the chapbook will also be distributed to tens of thousands of readers, editors, agents and magazines through our newsletter. Our guest judge this year is Jericho Brown. Manuscript should be 15-30 pages (not including front/back-matter.) Manuscripts should be on the whole unpublished, although individual poems can be previously published. Simultaneous submissions are welcome, but please notify us if the chapbook is accepted elsewhere. Multiple submissions are allowed, but each submitted chapbook will have the $20 fee.

https://www.frontierpoetry.com/poetry-awards/

Redivider

Redivider seeks previously unpublished works from emerging and established writers. We welcome general submissions year-round, and we are proud to offer free submission through May 15, 2019. For Fiction & Nonfiction, we consider up to 8,000 words, and for Poetry, we consider up to 5 poems, and 10 pages.

http://www.redividerjournal.com/general-submissions/

Newfound

We welcome short stories and self-standing novel excerpts of any length, creative nonfiction pieces of any length, up to 6 poems totaling no more than 10 pages, and up to 3 flash fiction stories per submission. Flash, micro, and hybrid work—if it’s brief (<1,000 words) and cutting edge, fiction or nonfiction, we’re publishing it. We read submissions through May 15, 2019.

newfound.org/submit/?mc_cid=0cacc51050&mc_eid=508eb4b613

The 9th annual BOA Short Fiction Prize

Deadline: May 31, 2019. Since its founding in 2010, the BOA Short Fiction prize has been awarded to eight of the most exciting and unique voices in American fiction. As with all BOA fiction titles, our prize-winning short story collections are more concerned with the artfulness of writing than the twists and turns of plot. It is our belief that short story writing is a valuable and underserved literary form that we are proud to support, nurture, and celebrate. All submissions will be personally read, reviewed, and considered by BOA Publisher Peter Conners, founder and sole editor of BOA’s short fiction series. Manuscripts that do not win the contest are still eligible for publication by BOA. The winner receives book publication by BOA Editions, Ltd. in spring 2021 and $1,000 honorarium. Submission fee: $25

https://www.boaeditions.org/pages/boa-short-fiction-prize

Submission Calls for Writers 3/5/2019

submissions

Here are eleven opportunities for writers including a scholarship offering for a writing excursion to Scotland. Good luck writing and submitting!

Bodega

Bodega releases digital issues on the first Monday of every month, featuring poetry, prose, and occasional interviews by established and emerging writers. Submit up to 3 poems or up to 3000 words of fiction or nonfiction.

http://www.bodegamag.com/about

 

The Journal, a Literary Magazine (formerly The Ohio Journal)

We are interested in quality fiction, poetry, nonfiction, photo essays, author interviews, and reviews of new books of poetry and prose. We impose no restrictions on category or type of submission for fiction, poetry, and nonfiction.   Fiction and essays: All prose submissions should be double-spaced. We are happy to consider self-contained excerpts of novels and long stories and essays, but please note that historically it is unusual for us to publish stories longer than 10,000 words and essays longer than 6,000 words.   Poetry: Please limit poetry submissions to 3 – 5 poems grouped in a single .doc or .pdf document.    Reviews and Interviews: Reviews should double-spaced be no more than 1,200 words. We are particularly interested in reviews of new books that have been published within the last two years. Interviews should be double-spaced and between 6 – 12 pages.

http://thejournalmag.org/submit

 

Apple Valley Review

Submissions for the Spring 2019 issue (Vol. 14, No. 1) of the Apple Valley Review are open through March 15, 2019. We accept personal essays and short fiction (preferably between 100 and 3,000 words, though the word count is flexible) and poetry. Prose poetry, translations, flash fiction, and writing with genre elements (such as fabulism/magical realism) are welcome. Please send work that is original, previously unpublished, and in English. All work published in the journal is automatically considered for our annual editor’s prize. Several pieces from the journal have later appeared as selections, finalists, and/or notable stories in Best American Short Stories, Best American Essays, Best of the Net, Best of the Web, New Poetry from the Midwest, storySouth Million Writers Award, and The Wigleaf Top 50 (Very) Short Fictions. To submit, please send 1-6 poems or 1-3 essays/short stories, all pasted into the body of a single e-mail message, to our editor: editor (AT) leahbrowning (DOT) net.

https://www.applevalleyreview.com/

 

Scholarship available for August 2019 “Get Away to Write – Scotland”

Join us this summer in the vibrant university city of Dundee, Scotland to immerse yourself in a supportive week-long writing experience that will energize and inspire you. Enjoy encouraging workshops, plentiful writing time, readings by local writers and excursions to Edinburgh, the coast and more from August 1-9, 2019. A $1,000 scholarship is being offered to a first-time participant in one of Murphy Writing’s international programs. Scholarship application deadline: March 10, 2019.

http://murphywriting.com/scotland

 

Anthology of Poems about Kissing

We will consider up to three unpublished or previously published poems on the topic of kissing for a forthcoming anthology of poems about kissing, to be published by Terrapin Books, spring/ summer 2019, edited by Diane Lockward. For previously published poems the author must be able to grant permission for Terrapin Books to republish the poems. Send us your poems about first kisses, last kisses, goodbye kisses, make-out session kisses, desired kisses, unwanted kisses, dangerous kisses, stolen kisses, romantic kisses, familial kisses, spin-the-bottle kisses, hot kisses, cold kisses, metaphorical kisses, etc. Submission Period: through March 20, 2019. No submission fee.

https://www.terrapinbooks.com/anthology-of-kissing-poems.html

 

Pine Mountain Sand & Gravel Volume 22, Appalachia (Un)Broken

Splits and seams. United/divided. Fissures and fusions. And let’s not forget that “cleave” can mean both “to cut apart” and “to bind together.” For Volume 22 we are asking for your poems, short stories, essays, flash pieces and black and white 2D art on how we—our region, our communities, our families, ourselves— are held together and how we come apart. Unpublished work is preferred, but we aren’t sticklers. Send us your best creative work exploring Appalachia (Un)Broken. Poetry submissions: up to 5 poems in one document please, no more than 10 pages. Prose submission: One piece of up to 3,000 words, single spaced, with the first line of each paragraph indented (rather than double space between.) We will consider stories, essays, one-acts and memoir. Deadline: April 15, 2019.

http://www.sawconline.net/pmsg-submission-guidelines.html

 

The Penn Review

The Penn Review is currently ranked as one of the 25 Fastest Fiction & Poetry Markets in Duotrope’s database. We strive to respond to all submissions within a week, and are currently averaging a 2-3 day response time. Our Winter Reading Period is now open.  We’ll be accepting submissions of poetry, fiction, creative nonfiction, and artwork for our Spring Reading Period from March 10 to April 21, 2019.

https://www.pennreview.org/submit

 

Maryland Literary Review

Maryland Literary Review was created in the summer of 2018.  MLR is a biannual literary magazine featuring top-tier literary fiction, poetry and nonfiction.  In addition, we will feature occasional blog posts.  In 2019 we hope to publish E-books, also. Maryland Literary Review is an online only publication. Submit via e-mail to Nleslie (at) Marylandliteraryreview (dot) com.  There are absolutely no fees to submit and submissions are open 24/7/365 days a year.  For poetry, please send no more than five poems; for short stories 1-3 stories; for nonfiction 1-3 essays.  Flash fiction and flash memoir also welcome.  Submissions for the fall issue end on May 15th, 2019.

https://www.marylandliteraryreview.com/submit/

 

Driftwood Press Contests

We’re excited to announce that our annual Adrift contests are back! For the chapbook contest, we’re welcoming Chen Chen as our guest judge! On the short fiction side, we’ve got Pulitzer-nominated Dale Ray Philips looking at the finalists. Submissions are open through May 31, 2019. Awards range from $300 to $350, plus interviews and contributor copies.

https://www.driftwoodpress.net/contests?utm_source=so

 

Poetry South

Poetry South is a national journal that considers all kinds of poetry. Though we pay particular attention to writers from the South — born, raised, or living here — all poetry within our covers has a claim to the South because it is published here. The magazine has a tradition of including poets from other regions in the US and other countries. We are looking for a great mix of styles and voices that will appeal to our audience and breathe new life into the poetry of the South. Send 1-4 unpublished poems in Word or RTF format. Our annual submission deadline is July 15, 2019.

https://www.muw.edu/poetrysouth/submit

 

Citron Review

Creative Nonfiction is open year-round. Poetry and Fiction read submissions through November 30, 2019. Micro Fiction submissions should be no more than one hundred (100) words. You may submit up to five (5) micro-fiction selections per quarter. Flash Fiction submissions should be no more than one thousand (1,000) words. You may submit up to two (2) flash-fiction selections per quarter. All types of creative nonfiction (memoir, essays, etc.) are acceptable. Submissions should be no more than one thousand (1,000) words.You may submit up to two (2) creative nonfiction selections per quarter. You may submit up to five (5) poetry selections per quarter.

http://www.poetsreadingthenews.com/

3 New Poems in Delta Poetry Review

Delta Poetry Review

I’ve been excitedly waiting for the inaugural issue of Delta Poetry Review to be released, and the day is finally at hand. DPR is a new online journal edited by Dixon Hearne. They are most interested in poetry from and about the American delta region and the Deep South generally, but they’re open to all work written in English from anywhere.

Mr. Hearne and DPR were kind include to include three of my poems in this issue. “South Through Kentucky” describes driving through parts of the state where my dad grew up and where our family has extended roots. “We are Called to Invent Ourselves” was inspired from a walk in the woods near by house. And “2:00 a.m. at Three Crow Bar” is an homage to one of my best friends, set in a great Nashville bar that you should check out.

This first issue of DPR also includes work from Stephen Hundley, a poet whose work is popping up everywhere. I predict you’ll continue to see his writing a lot in the future. So get to know him now.

Delta Poetry Review is scheduled to publish their next issue in June. So now is a great time for writers to submit new work.

Submission Calls for Writers 2/5/2019

submissions

If you’re reading this, it means you survived January’s polar vortex and are basking in some version of this month’s spring thaw. Whatever inspires you–being locked up inside when it’s cold or testing what’s likely to be false spring–I hope you’re writing. And chances are that if you’re writing, you may have something ready to submit. Here are a dozen opportunities for writers. Good luck!

 

Bread and Beauty

We’re looking for unique, well-written perspectives on life.  In general, we love blue-collar stories—people struggling with life, love, financial security, and the pursuit of functional happiness. That said, we don’t throw our noses up at anything that’s well written. We accept flash fiction, short fiction, poetry, nonfiction, memoir, and art for publication in our online journal. We are also seeking submissions for our featured “Mindful Musing” Monday blog post.

http://www.breadandbeauty.net/about.html

 

Pudding Magazine: The Journal of Applied Poetry

PuddingMagazine is currently reading for our summer/fall issue #68. Pudding Magazine is a small-press, literary publication with an emphasis on poetry, and occasional short fiction, essays, articles, book reviews, art, and photography. For poetry, submit up to six poems. For fiction and nonfiction, submit one piece or up to three flash pieces. We encourage new authors to submit, though we primarily publish emerging and established authors. We look forward to reading your work!

http://www.puddingmagazine.com/submissions

 

Indianapolis Review

The Indianapolis Review is a quarterly publication featuring poetry and art. We work to promote artists and writers from our region, but we also showcase work from around the country and the world. We don’t limit ourselves to one particular school or style of poetry; we simply want poetry that moves, surprises, sings and makes us think. You may submit up to 5 poems at a time in a single attached file. Please do not exceed 10 pages total.

https://theindianapolisreview.com/submit/

 

Delta Poetry Review

Submissions are accepted year-round. We prefer poetry that has both mainstream and literary appeal. Poetry should be formatted conventionally, without inline gaps or other structural elements that can’t be detected by an audience during a public reading. Submit up to three poems pasted into the body of your submission email.

http://deltapoetryreview.com/submissions.html

 

Mastodon Publishing

Mastodon Publishing is in our 2nd year and are looking for your imaginative, developed work!

We have an open call right for novels and short stories, poetry, essays and creative nonfiction. We’ve published 7 titles with a few more due out in 2019 and will be looking to publish 3-8 titles in 2020.

We offer a standard royalty-based contract, 10 author copies, 20-50 media copies, awards submissions, and attend several books conferences each year. This year we’re looking to do even more and bring on more great authors, poets, and artists! We’re looking for imaginative and well developed work in literary, upmarket, commercial and genre as well as poetry with character. Nonfiction, too, all types.

https://www.mastodonpublishing.com/submissions/

 

CAGIBI’s inaugural Macaron Prize

Cagibi is a journal of poetry & prose that has garnered praise in its first year for its quarterly online issues, publishing emerging writers side by side with our literary heroes. To celebrate, we’re excited to announce our writing contest, the 2019 Macaron Prize. Winners of the 2019 Macaron Prize will receive $1,000 and publication in Cagibi’s inaugural print issue. Finalists will also be published in the print issue. All entries will also be considered for publication in Cagibi’s quarterly online issues. Winners will be invited to read their work at a public Reading and Issue Launch Event in New York City in May. There is an $18 entry fee. Submission deadline is midnight February 15, 2019. The contest judges are Chantel Acevedo in Fiction, Major Jackson in Poetry, Sheila Kohler in Non-Fiction / Memoir.

https://cagibilit.com/cagibi-macaron-prize-2019/?fbclid=IwAR1vqC-2hmMxWRJOpd6plJ1JCX2F9Zb_ThNMU9X_cWksUBenRILwcnmO1_c

 

Valparaiso Fiction Review

Publishing since 2011, Valparaiso Fiction Review is a biannual publication of Valparaiso University and its Department of English. Valparaiso Fiction Review is seeking submissions of short stories for its upcoming 2019 issues (Summer & Winter). Submissions to VFR should be original, unpublished works that range from 1,000 to 9,000 words. There is no set deadline, and submissions are considered on a rolling basis. Current and archived issues of the journal can be found online.

https://scholar.valpo.edu/vfr/guidelines.html

 

Darkhouse Books Call for Submissions: Love

Darkhouse Books seeks submissions for the third installment in its Riff literary series, What We Talk About When We Talk About It: Variations on the Theme of Love. Send us your best poetry or prose on this very broad theme. What is love, anyhow? You can love your partner, your friend, your country, your dog, cat, rat, your local library, your family, yourself. You can love money, liquor, food, wilderness, or the dive bar on the corner. What does love make people do? What will people give for it? What will they steal? Does the razor love the wrist as a baby loves the breast? Where does sex figure in all of this? Does it? This series leans toward the literary while welcoming all genres, so long as the author has paid close attention to craft. We are not looking for standard romance, but if you think your romance will win our love anyway, send it. – Send us work that stands out because of its excellence, of course, but also because of its creative take on the theme and on the craft of writing. We will accept reprints so long as the piece was published more than a year before you submit it, and you are submitting in accordance with the previous publisher’s guidelines, and ours. Maximum length is 5,000 words; there is no minimum. Format your piece in 12-point Times New Roman or Courier, double spaced, with initial 0.5” indents, and 1” margins. Send your manuscript as .doc or .docx. PLEASE DO NOT SEND IN ANY OTHER FORMAT. Submit no more than five poems and/or two prose pieces. Submissions may be emailed to submissions(AT)darkhousebooks(DOT)com, and should include the word Love in the subject line. Submissions will be accepted through midnight February 28, 2019. Payment to contributors is 50% of the royalties divided equally among the authors.

http://darkhousebooks.com/what-we-talk-about-when-we-talk-about-it-submissions/

 

Watershed Review

Watershed Review takes submissions through February 28th. We welcome submissions of poetry, fiction, creative nonfiction, and art. Submit up to 4 poems or one story or essay of up to 2500 words.  One poem or prose excerpt will be chosen from each issue to be made into a broadside print through the Quoin Collective.

http://www.csuchico.edu/watershed/submit.shtml

 

Anomaly

Anomaly, an online international and intersectional journal of arts and literature, is seeking work for our 2019 Spring and Winter issues. We are looking for creative nonfiction, translations, fiction, poetry, and comics. Deadline: March 1, 2019.

www.anmly.submittable.com

 

Orange Blossom Review

We are excited to announce the open call period for submissions to Orange Blossom Review, the peer-reviewed, digital-format literary journal of the Florida College English Association. OBR publishes innovative poetry, short fiction, creative nonfiction, and visual art. Submit short fiction and creative nonfiction up to 5,000 words. Submit up to five poems. Deadline is March 31, 2019.

https://orangeblossomreview.org/ https://twitter.com/obr_litjournal

 

Pittsburgh Poetry Journal Inaugural Issue

Pittsburgh Poetry Journal (PPJ) seeks work that clangs with grit, passion, and a multitude of voices. We want poems that celebrate or break traditions and strive for progress. We do not restrict our journal to Pittsburgh poets or poetry. All writers and themes are welcome! We want your work that speaks to the spirit of Pittsburgh from any corner of the world. Please submit no more than three (3) poems, or seven (7) pages total. Our open reading period runs through March 31, 2019.

https://pittsburghpoetryjournal.submittable.com/submit

 

 

Submission Calls for Writers 1/3/2019

submissions

I didn’t make specific resolutions this year, but I do have goals for 2019. Mostly, I hope to just keep writing and submitting. I hope you will do the same. Here are ten opportunities for writers. Check them out, and have a happy new year!

One

One, the online literary journal of Jacar Press,

One reads submissions of poems continually. There is no deadline. To submit, send one poem in the body of an email to <onejacarATgmailDOTcom.> In a few short years, poems first published in One have won a Best of the Net, received an Honorable Mention, been reprinted in the New York Times. We publish the best works by Pulitzer Prize and National Book Award winners, as well as newcomers and established poets from Africa, Asia, South America, the Middle East, Europe, the U.K. and the U.S.

http://one.jacarpress.com/submissions/

 

The Offing: Back of the Envelope

Back of the Envelope seeks writing of any length which relates to, or draws on, science and the natural world. Sharing its wonder or its horrors, relating the untold stories of discovery, or toying with everyday curiosities, we’re interested in hearing from those inside and outside the scientific community.

https://theoffingmag.submittable.com/submit

 

Oxford American

We welcome fiction submissions for our Summer 2019 issue. We are eager to feature a writer whose fiction has not yet been published in a major print publication. Stories under 10,000 words will be considered, and the selected writer will be paid $1000. Deadline January 15.  $5 submission fee.

https://oxfordamerican.submittable.com/submit/126851/debut-fiction-in-summer-2019-issue-open-only-to-new-writers

 

Longleaf Writers Conference Fellowships

The Longleaf Writers Conference is an annual gathering of creative writers from all over the nation and features award-winning writers in poetry and fiction and creative nonfiction who will offer a full week of intensive writing workshops, one day seminars, lectures, readings, and social events.  Fellows benefit from a special reading, direct work with faculty, and other specific duties that allow them access to our faculty and visiting writers. Fellowship applicants must have at least one book published in the last six years and should be actively publishing work in established literary magazines and/or have other awards of merit. This fellowship covers full tuition (all events, readings, workshops, etc. are covered for fellow) for the conference as well as superb lodging near one of the most beautiful beaches in Seaside, Florida, during the Longleaf Writers Conference from May 11-19, 2019. Past Fellows include Brandon Courtney, Rachel Weaver, Eugene Garcia-Cross, Andrew McFadyen-Ketchum, Stacey Balkin, Karin Lin-Greenberg, Erika Krouse, Sandra Gail Lambert, Blake Sanz, many more! DEADLINE: January 10, 2019. 

www.longleafwritersconference.com

 

Landlocked

LandLocked Magazine is a reinvention of Beecher’s Magazine. We love found pieces, eco-poetics, works about displacement, and stories of how your body fits (or how it doesn’t) into the world. Imagism and hybrid genres, including experimental and visual works, lyric essays, and prose poems are all welcome. Please send 3–5 poems per submission with no more than 10 pages in total. We want stories of literary quality and encourage fantastic, speculative, and weird literature. Send us your most imaginative and challenging writing in 4,000 words or less. We also encourage flash fiction of 1,000 words or less. Finally, we are especially drawn to nonfiction pieces that challenge the boundaries of the genre, incorporate fictional and poetic elements, and make us question how “creative” nonfiction can be. As far as length, we prefer under 4,000 words. Submit by February 01, 2019.

https://landlockedmagazine.com/submission-guidelines/?mc_cid=85cbcdeaa3&mc_eid=508eb4b613

 

10th Annual Spirit First Meditation Poetry Contest

Spirit First is pleased to announce its 10th Annual Meditation Poetry Contest. Poetry submissions may be of any length and any style but must have a theme of Meditation or Mindfulness. Poems may reflect any discipline, any faith, or none. Poems must be previously unpublished. Poems not on the themes of meditation, mindfulness, stillness, or sacred silence will not be included in this meditation poetry event. Enter up to three submissions. Please submit your poems all in one file or inside the body of an email (rather than three poems in three separate files). Be sure to include the author’s name, address, telephone number, and email address. There is no cost to enter this contest. Submissions must be received no later than February 28, 2019. There is NO FEE to submit.

http://www.spiritfirst.org/poetry_contest2019Entry.html

 

Cincinnati Review

The Cincinnati Review welcomes submissions from writers at any point in their careers. Please submit up to five poems, which should total no more than ten manuscript pages, at a time. Fiction submissions should be no more than forty double-spaced pages. We’re interested mostly in pieces of nonfiction less than twenty double-spaced pages, though you can try us for longer pieces if you think they’ll knock our socks off. We read until March 1, 2019, with an exception: miCRo submissions are open year-round. https://www.cincinnatireview.com/submission_guidelines/

 

Arkana Call for Submissions: The Micro Issue

For our Micro Issue, Arkana invites you to magnify the microscopic. Once called “little magazines,” literary journals have long been interested in cultivating small-scale communities and promoting the work of authors and editors toiling on their art outside of national markets. For Arkana’s Micro Issue, we’re commemorating this heritage while seeking work that packs a punch in pint-sized form. From nanotechnology, the singularity at the center of a black hole, microbiology, and microbursts to microbreweries, “The Itsy Bitsy Spider,” Hershey’s miniatures, Little Rock, and Honey, I Shrunk the Kids, we want work that celebrates its smallness, amplifies the tiniest voices with the most to say, and challenges society’s perceptions of the marginal, modest, and miniscule. Send us up to 500 words of fiction or creative nonfiction, 10 lines of poetry, 4 panels of illustrated narrative, or 5 minute scripts for the stage or screen. In addition to publication in the Micro Issue, each piece will be considered for $50.00 Editor’s Choice Awards in each genre. The deadline for Issue 6 is March 31, 2019.

https://arkanamag.org/submit/

 

Blackbird

Send up to six poems at a time. Single-space, please. For fiction, double-space, please. We primarily look for short stories, but novel excerpts are acceptable if self-contained. Double-space nonfiction also. We primarily look for personal essays, but memoir excerpts are acceptable if self-contained. Unsolicited book reviews and criticism are not considered. Send one prose piece or two to six poems at a time, and please submit genres separately. Blackbird does not accept previously published work. Simultaneous submissions are acceptable so long as they are indicated as such and we are immediately notified upon acceptance elsewhere. Current reading period ends April 15, 2019.

https://blackbird.vcu.edu/v15n1/submissions.shtml

 

Quarter After Eight

Quarter After Eight is devoted to the exploration of innovative writing. We accept submissions in any genre from new and established writers through April 15, 2019. You may submit up to four poems at one time. Submit one essay or up to three flash prose pieces. You may submit one story or up to three flash prose pieces at one time.

http://www.quarteraftereight.org/submit.html

Submission Calls for Writers 11/1/2018

submissions

After several month of hiatus, here are ten journals and presses currently accepting submissions or looking for volunteers. Several of these fine presses and journals have just opened submissions at the beginning of November. A few of these have very small windows when you can submit your work, so don’t miss it! Good luck sending out your writing.

 

Flash Fiction Magazine Needs Volunteers

Flash Fiction Magazine is looking for social writers. Specifically, we are looking for engaging people to interact with our audience on Facebook, Twitter and Instagram. Duties include replying to comments as yourself (we want to be authentic and transparent), finding interesting resources / articles / pictures that our audience may enjoy, and finding new authors interested in flash fiction. You must be a social and engaging person, and you must be technically savvy and familiar with one or more of the social media channels mentioned above. If you are interested, email [shannon AT 101words.org] with your qualifications and why you are interested in this position.

https://flashfictionmagazine.com/volunteers/?utm_source=ActiveCampaign&utm_medium=email&utm_content=Flash+Fiction+Magazine+Weekly+for++TODAY&utm_campaign=FFM+RSS+Weekly+Campaign

 

Free State Review

Free State Review is seeking fresh strange music, affluent language, and brave new thought in poetry, prose, and video projects. Prose should be 500-4,000 words; poetry can be any length or style. Poetry submissions can include 3-5 poems in a single document. Strange is not always better; simple and clear are not always memorable. Try to split the difference between the abstract and the concrete.

https://freestatereview.com/submissions/

 

Monologging

Monologging is always interested in new voices. This fall & winter, short stories no longer than 4,000 words will be considered alongside poetry, (5 pages maximum,). Writers and poets are invited to craft and submit works that ponder our City vs. Rural theme, offering new perspectives. The contrast between city and rural lifestyles has perhaps never been so stark, raising new social, economic, and political questions concerning how we coexist. To what extent are humans challenging, if not altering their primal nature by flocking to urban centers? Likewise, do we limit our horizons when we choose a pastoral existence? Are the boundaries of these two distinct landscapes still relatively fluid? Or are the suburbs an increasingly rigid bulwark sorting city slicker from country bumpkin? Monologging seeks a window into both perspectives, and to highlight the essential human transience that prompts our lifelong wandering between such distinct landscapes. Vivid imagery and writing depicting the aesthetics and breadth of experiences that individuals acquire when living in either environment will illuminate our Spring ’19 issue. Worthy pieces will receive editorial feedback. Selected works will be included in our Spring ’19 edition of the magazine.

http://monologging.org/submit/

 

The Tishman Review’s Edna St. Vincent Millay Poetry Prize

The Tishman Review is looking for the best poem that captures Millay’s love of not only the lyrical, but the brave and honest spirit her poetry holds. Send up to five poems per entry. There is no line-limit. Poems may be any length, any style, or any subject. Multiple entries by a single poet are accepted, however each group of five poems must be treated as a separate entry, each with its own cover sheet and an additional $15 fee. Entries will be welcome through November 15th, 2018. Winner and accepted for publication entries will be announced by April 30th, 2019 and published in the spring issue of The Tishman Review.

http://www.thetishmanreview.com/contests/

 

Switchback

Switchback is an online publication of the MFA in Writing Program at the University of San Francisco. Please limit your prose submission to one story or essay at a time. Stories and essays should be no more than 4,500 words, but we prefer pieces closer to 3,500 words. Please submit no more than three poems. Switchback regularly publishes reviews of fiction, nonfiction, and poetry on our web site. Deadline: November 30, 2018.

http://www.swback.com/call/

 

The Hollins Critic

Establishing in 1964, the HC literary journal is published five times annually by the students and faculty of Hollins University.  The Hollins Critic reads poetry until December 1 each year. The Hollins Critic reviews and interprets the works of contemporary writers and poets. Both emerging and published poets may submit up to five poems. Restrict poetry to one page in length. Payment: $25/poem, plus five contributor’s copies. HC not accept unsolicited essays, and HC does not publish fiction.

https://www.hollins.edu/who-we-are/news-media/hollins-critic/

 

Folio

FOLIO is a nationally recognized literary journal affiliated with the College of Arts and Sciences at American University in Washington, DC. Since 1984, we have published original creative work by both new and established authors. For Volume 34, FOLIO is particularly looking for work responding in some way to the themes found within the World Tree—branches and roots, ancestry and rebirth, fate and knowledge, wilderness and civilization. Send us your stories, essays, poems, and art about trees and the natural world. Submit fiction up to 5,000 words, nonfiction up to 4,500 words, or up to 5 poems.  Deadline: Dec 21, 2018.

https://foliolitjournal.submittable.com/submit?mc_cid=84b9946a5c&mc_eid=508eb4b613

 

Denver Quarterly

Denver Quarterly is the literary journal housed at the University of Denver. Unsolicited manuscripts of fiction, essays, interviews, reviews, and poetry are welcomed from now through February 15, 2019. Poetry submissions should be comprised of 3-5 poems; fiction and non-fiction manuscripts should generally consist of no more than 15 pages.

http://www.du.edu/denverquarterly/submissions/

 

Delmarva Review

The Delmarva Review is a literary journal publishing original short fiction, poetry, creative nonfiction, and short book reviews. For fiction, our preference is literary writing. We seek evocative storytelling with well-developed characters who take hold of our emotions and stir our imaginations. Memorability is the ultimate reward. The same will be true for the personal essay.  Poetry – up to 6 poems, no more than 50 lines each; Short fiction – up to 5,000 words;   Flash fiction – up to 1,500 words;   Creative nonfiction – up to 3,000 words. The submission period for Volume 12 of Delmarva Review will be open from November 1, 2018 through March 31, 2019, for publication in October 2019. Editors read all submissions. All selections will be made by May 2019. http://www.delmarvareview.com/submission.html

 

Bennington Review

Bennington Review is published twice a year in print form, Summer and Winter. Submissions are customarily read every fall, winter, and spring. The next 2018-2019 submissions period will be from November 1, 2018 to May 15, 2019. We aim to stake out a distinctive space for innovative, intelligent, and moving fiction, creative nonfiction, poetry, film writing, and cross-genre work. In the spirit of poet Dean Young’s dictum that poets should be “making birds, not birdcages,” we are particularly taken with writing that is simultaneously graceful and reckless.

http://www.benningtonreview.org/submit/

Submission Calls for Writers 4/4/2018

submissions

Here are a dozen journals and presses currently accepting submissions. Several of these fine presses and journals have just opened submissions at the beginning of April. A few of these have very small windows when you can submit your work, so don’t miss it! Good luck sending your work out.

Spork Press & Sporklet

Spork Press is accepting submissions for its online magazine, Sporklet, as well as for its 2019 catalog. Full length poetry manuscripts must be at least 48 pages and submitted as a PDF. For works of fiction over 100 pages, please send a synopsis and an excerpt that is 20-40 pages in length. It will likely take us up to two months to respond. Submissions to Sporklet: Poetry submissions should be 6-12 pages long. We like to feature several poems by each author. We are also very fond of long poems. Fiction submissions can include up to three short stories. There is no length limit for hybrid work. There are no reading fees. Simultaneous submissions welcome.

http://sporkpress.com/?page_id=3492

 

Moon City Review

Moon City Review is currently reading for the 2019 issue. We are accepting submissions of fiction, poetry, creative nonfiction, graphic narrative, translations, and book reviews.

http://www.mooncityreview.com/

 

Concho River Review

CRR is published biannually. We welcome submissions of high-quality fiction, non-fiction and poetry year-round. CRR welcomes fiction on all subjects, although we tend to publish traditional stories with a strong sense of conflict, finely drawn characters, and crisp dialogue. Length of manuscripts should be 1,500–5,000 words. CRR welcomes submissions of creatively told personal narratives and innovative approaches to the essay form. We also consider thoughtful, researched articles; especially those that explore areas that are part of our southwestern landscape and heritage. We review manuscripts of all lengths, up to 6,000 words. CRR welcomes original poetry submissions from all poets, established or emerging. Length and form are open, but shorter poems (one page or less) are preferred. Please send three to five poems at a time.

http://conchoriverreview.org/submissions.html

 

Sugared Water

Sugared Water is reading submissions during the month of April. SW is an independent lit mag published & handbound in Cincinnati, Ohio. Our cover art is original and produced in limited edition. We read poetry & prose, with a particular interest in flash and micro forms, lyric and personal essays, prose poetry, free verse poetry, and individual, strong senses of voice and place. We will consider 3-5 poems or up to 4,500 words in fiction or creative nonfiction.

https://sugaredwatermagazine.wordpress.com/submission-guidelines/

 

Ascent

Ascent publishes stories, poems, photographs and essays. Ascent opens for submissions on the first of April and will read submissions through the end of May.

http://www.readthebestwriting.com/

 

LIT Magazine

LIT: The journal of The New School Master of Fine Arts in Creative Writing Program promotes innovative art and writing via print and digital publishing. Poetry submissions should be no more than 5 poems or 10 pages. We accept fiction and nonfiction. Prose submissions should be no longer than 25 pages, double-spaced, single-sided. Our current reading period ends in May 2018.

http://www.litmagazine.org/

 

Voices

Kentucky River Community Care is pleased to announce the second issue of Voices, a literary journal recognizing and presenting creative talent from the Kentucky River region and beyond. Our journal exists to give a voice to those who often go unheard, particularly those in the mental health community. KRCC staff and clients, as well as writers from throughout the region, are invited to submit their best prose, poetry, photography, and artwork by May 15, 2018.

http://krcccares.com/voices/

 

Memoir Mixtapes Volume 5

Memoir Mixtapes is a mashup of the two things we all love to talk about: ourselves and music. Volume 5 is our first un-themed issue. We are not currently accepting fiction pieces—after all, we are “Memoir” Mixtapes. We’re looking for your personal, creative non-fiction prose and poetry inspired by the music that makes you feel feelings. Submit one submission / one song per writer. The sweet spot for prose submissions is between 2–7 pages, single spaced. (If your submission runs a little shorter or longer, it’s not the end of the world.) Poetry submissions can be any length, but please bear in mind that over 5 pages is going to be a tougher sell. DEADLINE FOR VOL.5 SUBMISSIONS: MAY 16, 2018.

https://memoirmixtapes.com/submissions/

 

Terrain

Our online journal accepts only the finest poetry, essays, fiction, articles, artwork, videos, and other contributions—material that reaches deep into the earth’s fiery core, or humanity’s incalculable core, and brings forth new insights and wisdom. We are currently accepting regular submissions of poetry, nonfiction, fiction, reviews, and videos. There is no fee (nor payment) for regular contributions. Our reading period ends May 30, 2018. Submit from two to six poems of any length in a single document. Creative nonfiction, photo, personal, and other essays need not follow any particular essay style. 6,000 words maximum for creative nonfiction. Articles may be technical or journalistic in nature. Short stories, excerpts from novels, flash fiction, radio plays, drama, and other forms of fiction are encouraged. 6,000 words maximum.

https://www.terrain.org/submit/regular-submission-guidelines/

 

Tammy, a print journal of prose and poetry

Tammy is a print publication that features writing from the esteemed fringes and unguarded egresses of American letters, international writing in translation, and forms of visual art that lend themselves to the printed page.  Now reading for its sixth issue. Recent contributors include Amanda Goldblatt, Lydia Davis and Matt Bell. Tammy’s current reading period runs through June 1, 2018.

https://tammy.submittable.com/submit

 

Howling Bird Press

Howling Bird Press is open for submissions of book-length fiction manuscripts from April 1 to July 31, 2018. The press welcomes innovative, original work from established and emerging authors. The competition is open to all writers in English living in the U.S., whether published or unpublished. Manuscripts may be short stories, novels, novellas, etc. Word counts should be in the 40,000 to 60,000 range. File formats should be either Word .doc or .docx or PDF. Pages should be numbered, and the author’s name and address should appear on the first page. Include a cover letter in the form provided online, and list contact information and a short (100 to 200 word) bio. There is a $25 entry fee. The winner is announced in January 2019. The winner receives $1,000 and book publication in fall 2019.

Howling Bird Press books are distributed by Small Press Distribution and are available at online retailers and in bookstores nationwide.

http://www.augsburg.edu/mfa/howling-bird-press/

https://augsburghowlingbirdpress.submittable.com/submit

 

Consequence

Consequence is reading submissions until September 30, 2018. We publish short fiction, poetry, non-fiction, interviews, visual art, and reviews primarily focused on the culture of war. For fiction and non-fiction: please submit one piece of no more than 5,000 words. For poetry: please submit up to five poems of any length. Translations are acceptable if the author’s permission has been granted. Simultaneous submissions are welcome and encouraged, but if your work is accepted elsewhere, please let us know immediately. Each submission may be accepted for publication in the print edition of CONSEQUENCE and CONSEQUENCE Online.

http://www.consequencemagazine.org/submit/